Masters of the Universe: He-Man Returns with Lightness
Eternia's hero finally on the big screen with good ideas and some excesses

He-Man returns to cinemas after a long production gestation, focusing primarily on fun. Far from nostalgia for its own sake, Masters of the Universe chooses to build an adventure capable of speaking to those who grew up with the historic animated series but also to those approaching the world of Eternia for the first time.
The story begins with the fall of the imaginary planet. Skeletor and his demonic army conquer Grayskull Castle, forcing the young Prince Adam to flee to Earth, during which he inadvertently separates from the Sword of Power. Years pass, Adam grows up far from his world and the destiny that awaits him, fantasizing about the heroes of Eternia he knew as a child, until the moment the call of his origins knocks on his door again. From that moment, the journey becomes the classic hero's journey, called to accept what he was always destined to be.
A Film That Looks to the Children of Yesterday and Today
The most interesting choice by screenwriters and director is not so much the plot as the tone. The film avoids closing itself off in an exclusive dialogue with historical fans and instead seeks a balance between homage and renewal. On one hand, it retrieves characters, locations, and suggestions that belong to the classic He-Man imagery; on the other, it presents them with immediate language, also designed for new generations.
The balance works for much of the adventure. References to the original material are numerous and recognizable, but they never become a barrier for the casual viewer. Characters, settings, and dynamics are presented with sufficient clarity to allow anyone to quickly get into the story.

Nicholas Galitzine Takes on the He-Man Legacy
Much of the credit also goes to the new He-Man, Nicholas Galitzine. On paper, he might have seemed an unusual choice to play Adam, but the result is convincing. In the first part of the film, he manages to convey the insecurity and immaturity of a boy who has not yet found his place in the world. When the hero enters the scene, his posture, stage presence, and attitude change, without completely losing the character's human side.
Skeletor maintains his role as the main threat and benefits from a significant stage presence: the skull illuminated by a sinister red glow hides an antagonist who dominates the scene. In fact, whether Jared Leto is behind the makeup or not remains more of a marketing question. The supporting characters also contribute to giving rhythm to a narrative that alternates more spectacular moments with others that are decidedly lighter and more humorous.

Visually, the film demonstrates a higher level of care than many probably expected, despite the inevitable CGI. Eternia appears alive and recognizable, with set designs that recall the classic imagery of the saga without seeming like a mere reproduction of the animated series. The integration between practical effects and computer graphics is generally effective, especially in the more ambitious action sequences.
The Third Act Loses Some Measure
Where the film shows some limitations, however, is in the management of humor, which is present from the beginning and, in most cases, contributes effectively to the story. Some jokes work well, especially those that play with the more eccentric aspects of the Eternia universe. On the other hand, in the final part, the screenplay tends to dwell too much on this register, precisely when the story would need to make room for the emotional weight of the protagonists' choices and the epic scope of the conflict. The film is not compromised by this, but at least for adults, there is the risk of perceiving jarring and excessive elements.

The 140-minute runtime could also have benefited from a revision during editing. Some intermediate passages prolong the narrative without adding truly indispensable elements to the characters' growth or the plot's development. One reaches the credits — do not leave the theater before they finish, or you will miss more than one surprise — with the feeling of having witnessed a solid blockbuster, aware of the audience it addresses.
It does not aim to reinvent cinematic fantasy nor to transform itself into something deeper than it promises. Here there is spectacle, adventure, and a strong sense of belonging to a mythology that continues to exert fascination after over forty years.

Long-time fans will find numerous references to the animated series, old and new Mattel toys, and other incarnations of the franchise, as well as a particularly significant cameo that inevitably brings a smile to connoisseurs. Those encountering He-Man for the first time will find a simple-to-follow story, rich in action, and built to entertain.
Score
Editorial team

Masters of the Universe: He-Man Returns with Lightness
Masters of the Universe isn't perfect and could have better balanced its runtime and comedic vein, especially in the third act. It remains a successful and entertaining return, capable of respecting the past without being trapped by it, and of relaunching the world of Eternia with the enthusiasm and sense of adventure that have fueled its success for generations.



